{"id":3209,"date":"2022-10-18T20:52:39","date_gmt":"2022-10-18T20:52:39","guid":{"rendered":"https:\/\/salsapat.preprod3.blogestudio.com\/historia\/edificio-marques-de-larios-3\/"},"modified":"2023-05-31T11:36:59","modified_gmt":"2023-05-31T11:36:59","slug":"edificio-marques-de-larios-3","status":"publish","type":"historia","link":"https:\/\/salsapatrimonio.es\/en\/history\/edificio-marques-de-larios-3\/","title":{"rendered":"Edificio Marqu\u00e9s de Larios, 3"},"content":{"rendered":"\t\t
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Edificio Marqu\u00e9s de Larios, 3<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Marqu\u00e9s de Larios, 3 was built around 1888-1889. This 19th century bourgeois style building was designed by architect Eduardo Strachan Viana-C\u00e1rdenas, who introduced Chicago school style architecture to the city of Malaga, but with the European feel of Haussmann\u2019s Parisian boulevards.<\/p>\n

Other notable designs by this architect include the pantheon of the Larios family, the \u00c1lvarez Fonseca department store, the psychiatric ward of the Civil Hospital; and numerous villas in the area of La Caleta, as well as the initial project for the Malaga park commissioned by Antonio C\u00e1novas del Castillo, president of Spain\u2019s Council of Ministers for most of the last quarter of the 19th Century.<\/p>\n

Its construction is in harmony with the other buildings on this street, designed by the same architect. It faces three streets: Calle Moreno Monroy to the north, Calle Salinas to the southeast, and Calle Marqu\u00e9s de Larios to the west. This trapezoid shaped building with interior courtyards is spread over five storeys including the ground floor. It is a Grade 1 listed building within the historic-artistic BIC (Bien de Inter\u00e9s Cultural) protected heritage area of M\u00e1laga.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Architectural and functional description<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The building fa\u00e7ade on the ground and first floors has ledges separated by fluted pilasters, creating a harmonious appearance. On the upper floors, the building can be divided into a central body flanked by symmetrical sides. The sides are adorned with exposed brick facing and bartizans. The second-floor balconies are divided into triples and single balconies on the bartizan. Those on the third floor are all single but retain the decorative model of the lower level, consisting of carved posts and lintels topped by a straight cornice mounted on brackets (a model that is repeated in the other buildings along Calle Marqu\u00e9s de Larios).<\/p>\n

These floors are defined horizontally with imposts, but a cornice supported on slim corbels demarcates the windows of the top floor that features a cornice supported by larger corbels. The upper floor on the right side of the building is more highly decorated with ionic pilasters that frame its window openings. The bartizans are linked vertically with pilasters. The sides of the building maintain the height and decoration of these sections, although they are adorned with stucco, contrasting with the exposed brickwork. In C\/ Moreno Monroy, there are five sets of window openings, alternating the ledges with three balconies. The central balconies have wooden shutters. The building fa\u00e7ade facing Calle Salinas continues along this line with stucco plasterwork along the bottom, and seven columns of balconies and alternating ledges.<\/p>\n

The central section of Marqu\u00e9s de Larios, 3 is lower in height as it lacks the top floor. In this section, which features stucco plaster work, there are two floors separated by imposts with seven columns of architrave balconies decorated with carved posts, lintel with symmetrical floral decoration crowned with a curved cornice. The impression of verticality created by the building is highlighted through the addition of wooden shutters on the second and sixth vertical sections of the fa\u00e7ade, and by the central section that stands proud of the rest of the building. This section also features a horizontal cornice with egg and dart mouldings. The appearance of symmetry has been created through ornamentation, the use of different heights, and decorations on the window openings of the central and side sections.<\/p>\n

The main entrance has large solid wood doors and bronze knockers framed by a stonework portico, leading into a hallway with white marbled flooring and the image of the company that owns the building in dark green. In this entrance we find a lift for people with reduced mobility, as well as a magnificent white marble elliptical staircase with wrought iron and wooden banisters. There is a secondary entrance on Calle Moreno Monroy.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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